Candice(王(🐥)奕瑾饰Candice(王(🐥)奕瑾饰(🏁)演)(🗾)去(qù )东京拜(🤗)访家族的(❣)合作伙伴,进(🐑)(jìn )行(háng )商(shā(🥃)ng )务(wù )之旅(🐡)同时,好奇心(🛺)重的她为已(🐸)逝世16年的(🕺)叔叔找(zhǎo )寻(🍶)(xún )旧(jiù )爱(à(💙)i )Joyce(朱(zhū )永菁(🚛)饰演)。然而,Joyce当(🛵)天却没有依(🥔)约在东京(⚓)铁塔(tǎ )出(chū(🎄) )现。Candice置身在语言文化陌(🍹)生的(de )环(huán )境(👜)(jìng ),不(bú )仅迷失在东京(📏)街头(🔢) ,面对人(🚣)事已非的东京,对(duì )于(👊)(yú )寻(🔧)(xún )人(rén )任(rè(😸)n )务(wù )是否能完成(🍍)更是(🌫)没有把握。当(🆖)Candice终于克服(🚳)重重困(kùn )难(🦉)(nán )与Joyce见面。Candice满(🌊)足了刺激(🥁)人生的(de )渴(kě(🏕) )望(wàng );然(rán )而(❕)(ér ),她所追(🧘)求的刺激,却(🤐)在Joyce平静的人(🙃)生投下一(🤱)颗(kē )震(zhèn )撼(😟)(hàn )弹(dàn )...
电(dià(🏈)n )影《Dead Again》是一部(🈴)恐怖电影,主(📨)要讲述了对爱情相(xià(📞)ng )当(dāng )执着的(🔌)主人公走向灭亡的故(🐢)(gù )事(🏕)(shì ),人(ré(🙀)n )类(lèi )心理上的恐怖将(🛴)通过(🕴)日记的形式(🏇)向观众展现。电(dià(🎪)n )影(yǐ(⛪)ng )将(jiāng )于(yú )下(🏊)(xià )个月开(🎡)机,计划于明(💵)年上半年在(🍮)韩国和美(😲)国同(tóng )步(bù(🚃) )上映。
Stephen Sondheim’s legendary musical is staged for the first time at the National Theatre and broadcast live to cinemas.
从小(🎒)在孤儿院(🎌)长大(dà )的(de )女(🔥)(nǚ )孩(hái )小(xiǎ(🐃)o )鱼,在面对(🥍)生活、事业(🛵)、爱情屡次(🆗)受挫后,孤(🏆)(gū )独(dú )、绝(🥫)(jué )望(wàng )、抑郁、自卑(💝),多次试图自(⏹)杀。
唐明,就像很(hěn )多(duō(🆕) )屌丝(🗄)故事里(😿)的男主角一样,从(cóng )小(🏼)(xiǎo )到(🌹)(dào )大(dà )遇到(🎐)的异性都是女神(🙌)级的(🌶),在经历了一(🛩)堆奇怪(guà(🛥)i )的(de )事(shì )情(qí(🍯)ng )后(hòu ),唐明把(🍝)人生的不(🍡)幸归结于自(👢)己从小到大(🔲)发着的(de )相(😦)(xiàng )同的梦,一(🧐)次解梦的经(🚱)历中(zhōng ),卷(💜)(juàn )入(rù )了(le )一(🎷)场警匪追逐(㊗)事业,负责(🎰)这次 逮捕案(💷)的是女主(zhǔ )角(jiǎo )白(bá(😻)i )古(gǔ )清(qīng ),为(🚩)了彻查本案潜伏在牛(📹)氏集(💽)团的目(🏞)标嫌疑人(rén ),失业已久(💜)的唐(📀)明前往牛市集(jí )团(tuán )工(gōng )作(🙄)(zuò ),公(🎩)交车站偶遇(💇)女神白古(🦌)清,却遭小人(🎏)整蛊给女(nǚ(⬛) )神(shén )留(liú(🤖) )下(xià )坏(huài )印(🌿)(yìn )象,人生的(🍽)拐角点,喜(🔋)剧的相遇却(⬅)触发了悲惨(👦)(cǎn )的(de )前尘(🕥)往事:唐明(🕷)是唐三藏的(⛰)(de )转(zhuǎn )世(shì(🏏) ),白(bái )骨精正(♈)是白古清的前生,两人(🐍)的关系因堕(👴)落凡(fán )间(jiān )的(de )唐(táng )三(🏎)(sān )藏(💟)而更加(⌚)亲密,前世种下的缘分(🔠)在两(⚪)人之间悄(qiāo )然(rán )开花。为对抗(👺)牛总(🤕)的邪恶势(shì(🤰) )力(lì ),唐(tá(📣)ng )明(míng )和唐三(🐆)藏师徒开始(🈵)策划周密(🛺)的营救工作(🔪),最后(hòu ),究(jiū(👇) )竟(jìng )是(shì(⏬) )邪(xié )不能胜(🏰)正?
中年建(🔚)築師遇上(😔)人生瓶頸,在(🗳)家被(bèi )老(lǎ(🥈)o )婆嫌棄,公(🏜)司小開兔死(🦈)狗烹(pēng )。失(shī )業(yè )的(de )他(🌘)在曼谷街頭(🤲)驀然回首,瞥見大象Pop Aye,憶(💾)起歡(👴)快(kuài )的(🐩)(de )童(tóng )年(nián )時(shí )光,毅然(⚪)買下(📞)大象,卻發現都市生活容不下(👎)他(tā(🦏) )倆(liǎng ),打算和(🤙)老象一路(🥕)向北返鄉(xiā(👎)ng )。這(zhè )趟(tàng )人(📙)(rén )與象的(💭)公路之旅,途(🌗)中狀況不斷(🔬),所幸萬能(🍱)的(de )象(xiàng )鼻(bí(🕕) )領(lǐng )著(zhe )他(tā(📰) )倆,與沿路(⬅)風景相伴。《爸(👃)媽不在家》導(🈁)演陳(chén )哲(😴)(zhé )藝監製,阿(🥐)比查邦御用剪接(jiē )操(😘)(cāo )刀(dāo ),看(kà(🌧)n )擅長冷幽默的才女導(🎼)演陳(🐈)敬音,用(🎇)象鼻對抗中(zhōng )年(nián )危(🚚)(wēi )機(🔊)(jī )!將泰國鄉下的荒涼風景,轉(🤡)變成(🖇)一首洋溢著(🎖)淡(dàn )淡(dà(🏯)n )霓虹光(🐴)芒的(🚳)自我蛻變之(💂)歌。
While on a road trip to a wedding, a young couple is forced to camp out for the night - and become prey to the wilderness, and something even more sinister.
Ever since the death of her first dominant, William Frederick, Emma has struggled to adjust to life as a submissive without him. Unable to form lasting connections with other men, Emma chooses to abandon the lifestyle completely. But, her world is flipped upside down when she meets Mariah, a sassy young woman eager to explore the BDSM world. Seeing much of her former self in this young woman, Emma takes it upon herself to educate Mariah about life as a submissive and volunteers to act as her temporary dominant. However, things become complicated when Mariah grows attached to Emma and wants their arrangement to become a permanent one. Will Emma be able to walk away from the life she always loved and a girl who desperately needs her? Or is there more in the BDSM world for Emma than she ever fully realized?
在(zài )兰(💐)(lán )若(ruò )寺(sì(🍢) )乱葬岗外,女(🐄)鬼聂小烟(🔮)与女鬼海棠(🚌)同为树妖空(🐼)(kōng )城(chéng )的(💢)(de )手(shǒu )下(xià ),两(⬛)人一起为空(⏸)城服务,抗(📩)击捉妖师燕(😦)南天,并(bìng )日久生情,约(🍫)定要互相守(💞)护(hù )对(duì )方(fāng ),不(bú )料(🚰)聂小(➰)烟在偶(❓)遇书生傅青竹后,这一(🎉)切都(➖)发生了(le )改(gǎi )变(biàn ),一(yī )场三角(🛀)恋生(🏒)死之争愈演(🙋)愈烈。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.详情