都(dōu )知道尹奉吉义士都(dōu )知道尹奉吉义士却对(📜)(duì(🌌) )与他(💶)(tā )同(tóng )行的李华林知之(👎)甚(🐃)少,都(😣)(dōu )知(zhī )道有(yǒu )个(gè )临时政(🛣)府却(🏷)对(⚡)其管理内务(wù )的(de )郑靖和(📕)并不(🏹)熟(🏴)悉,虽然这些(xiē )人有(yǒu )点(diǎn )陌(🆙)生(⏳),她们却是实际存在(zài )的(de )女性(🎲)独(🕧)立运(📁)动人士,她们对(duì )独立(lì )的(🔐)(de )贡献(🏐)不算突出,因为路线(xiàn )不(bú(🎈) )同,所(💊)以(🚷)她们一直被我们遗(yí )忘(🛸)着(zhe ),本(🐇)影(🥑)片记述了她们的故事(shì )。@
An elderly woman, a war veteran, recalls her experiences as a member of the all-female bombing squad nicknamed 'Nachtexen' (Night Witches) during World War II
TudorFilms presents an action packed gore fest, following regular guy Ed (Marcus Carroll) who awakes one morning to find that his Nan (grandmother) has become one of the living dead. Trapped in his home, Ed struggles to handle the situation. With help from his friends, Ed tries to survive the day, but as his Nan becomes stronger, Ed is battling to keep his house zombie free, stay alive and save the day.
《四(sì(💻) )个(🎄)春天(🥔)》是一部以真实(shí )家庭(tí(🈁)ng )生(📍)(shēng )活(🍀)为背景的纪录片。15岁离(lí )家(🛠)(jiā ),在(🍼)(zà(🤨)i )异(yì )乡漂泊多年的导演(🚙)以自(👙)己(🤐)(jǐ )南(nán )方小城里的父母为主(📢)角(👲),在(zài )四年(nián )光(guāng )阴里,以一己(😺)之(🐷)力记(🚤)录了(le )他(tā )们的美丽日常。在(👘)如诗(🏾)的乐(lè )活慢(màn )生(shēng )活图景(➿)中,影(🌸)像(🔪)缓缓雕刻(kè )出(chū )一个幸(🤘)福家(🧑)庭(👮)近二十年的温(wēn )柔变(biàn )迁(qiā(🧚)n ),以(💦)及他(🐌)们如何以自己的(de )方(fāng )式(🚙)面(✡)对流(🎚)转的时间、人生的(de )得失(shī(🉐) )起(qǐ(📚) )落(🛴)。
When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.
17歲的莎拉全心投入學(xué(👂) )校(xià(🎈)o )的(🚅)戲(xì )劇(jù )排練,赤裸地體驗舞(🤭)台(🕹)上(shàng )和(hé )生活中的暴力。當她(🚠)試(🐜)圖揭(🍰)(jiē )露深(shēn )藏(cáng )心中的醜陋(🐱)秘密(🏉),高聲呼(hū )喊(hǎn )卻孤立無援(🥊),於是(✴)在(😭)莎士比(bǐ )亞和(hé )華(huá )格(🚳)納的(🔎)經(🎓)典劇目中尋找寄(jì )託(tuō ),她想(🆙)握(😤)有茱麗葉的匕首,想跟(gēn )隨(suí(🎠) )伊(📮)索德(👧)的腳步殉情而去,當(dāng )她站(🐻)上舞(💙)台,她是否能對世(shì )界展(zhǎ(🎄)n )開(kā(🌼)i )反(🔇)擊,扮演的界線究竟在(zà(🧞)i )哪(nǎ(🎏) )裡(💢)?详情