大(dà )和击(🎼)沉(ché大(dà )和击(🎼)沉(chén )。
《帕(🕳)德玛瓦蒂王(wáng )后》改编(biā(🧦)n )自16世纪(📔)(jì )一首苏菲(👬)史诗《Padmavati》,原(🧀)是(shì(〰) )讲(jiǎng )述印度(dù )战斗(🍞)民族拉(🕶)杰普特(tè )人王后(hò(🎎)u )的(de )史(😹)诗,主要(🧛)描述她为民(⛑)族(zú )和(😃)人民(mín )对(duì )抗外来(lái )敌(💆)人的故(💆)事,其中皇后为(wéi )了(🏕)保护(🥦)自(zì )己(🈸)清誉而自焚(🥒)。
英国独(🏭)立(lì )恐怖电影(yǐng )导演保(🏋)罗海耶(🥖)兹作品,描(miáo )述17世纪(🤔)初(chū(🍽) )一位年(nián )轻女子受(💅)到神秘(👯)的(de )修女院院(yuàn )长的庇(bì(✖) )护,入住(🐌)与世隔绝(jué(👧) )的修女(🧥)院(yuà(🌯)n )。年轻(qīng )女子在院中(🏆)开始经(🍉)(jīng )历到恐(kǒng )怖(bù )幻(🕸)觉,她(🔱)才惊觉(🥩)等待她的(de )不(🚁)是救(jiù(💅) )赎(shú ),而是(shì )骇人魔物
《魔(🦊)恋歌(gē(🚢) )》是一(yī )部(bù )讲述了(🕧)(le )跨越(🚼)仙魔之(🈸)间的凄美爱(😛)情(qíng )故(🏴)事,达(dá )蒙生是天帝最得(⛴)意的门(📌)生(shēng ),花魔溪(xī )是魔(🧞)王的(🤮)女儿,男女主人(rén )公(🛰)在仙魔(🧤)(mó )不能相(xiàng )恋的限制下(💸),面对(duì(🤧) )情、孝、忠(🗞)该作(zuò(🤫) )何选(👃)择?最终花魔(mó )溪(⏫)为了爱(🛬)(ài )人失去(qù )生命,达蒙生(🙎)悲痛(tò(🤵)ng )欲绝,堕(duò )入(🍛)魔道(dà(⛹)o )成为魔王。在达蒙(méng )生最(🔈)痛(tòng )苦(🚵)(kǔ )的时候(hòu ),霓裳来(🔷)到了(♐)他的(de )身(📵)边,但(dàn )是好(🤩)景(jǐng )不(🦔)长,霓裳也因为达蒙生(shē(💯)ng )死去。痛(🐌)(tòng )失两位爱人,天帝(👂)的追(⌚)捕(bǔ ),手下的(de )背叛,霓(🍐)裳妹妹(☔)的报复,面对这么(me )多的打(🤣)(dǎ )击,达(👪)蒙生最后还(🐘)(hái )是没(🚬)有承(🖍)(chéng )受住,选择了自我(🚣)毁灭。
到(📚)東京念(niàn )大學的(de )佐伯,寄(🌋)宿在安(🔕)靜(jìng )住宅區(🚨)(qū )的(de )林(🥨)家;房東千枝太太的女(🕤)(nǚ )兒照(🍨)子(zǐ ),是個擁(yōng )有不(🛌)可思(🈸)議魅力(🚪)的(de )高中美(mě(♌)i )少女;(🏰)愛(ài )慕著她的親戚-鈴(👇)木也同(🎩)(tóng )住一個屋(wū )簷下(🏂)。有著(😼)天使般甜美外(wài )表(🏳)的照子(🧔)(zǐ ),時常若有似無地誘惑(🚓)著(zhe )佐伯(🚢),即(jí )便鈴木(🕎)(mù )一再(📰)警告(⏬):「照子(zǐ )是個玩(⛏)弄(nòng )人(🕠)心的(de )惡魔」,佐伯還是(shì(📻) )不可自(🥑)拔(bá )受她誘(🔧)(yòu )惑。照(😋)子越親近佐(zuǒ )伯,鈴(líng )木(🔊)(mù )與佐(🤵)伯(bó )的關係便越加(🛂)緊張(🏇)(zhāng )。在一(📯)(yī )次(cì )激烈(🍹)的(de )爭吵(🤶)中,鈴木刺傷(shāng )了佐伯(bó(👾) ),看著受(🏗)(shòu )重傷的佐伯,照子(🛎)竟緩(🔽)緩(huǎn )揚(🎏)起一抹(mò )微(🥥)笑…
A young woman held captive by her stepfather becomes the focus of a female vigilante.
两(🌧)伊战争的最后日(rì )子里(🐳),阿(ā )尔(🏰)玛营在阿布(⌚)格雷布(🔰)海峡(🥐)(xiá )的抵抗
Ann is consumed by the fantasy of finding true love. Just when she thinks she's found it, she is friend-zoned. The disappointment of rejection sends her into an obsessive downward spiral that tests the limits of her sanity and the strength of her closest friendship. In order to reclaim her bearings on reality, she confronts her overgrown fantasies by making a film about the experience. The result is a vulnerable, hilarious, and vibrantly stylized investigation of love.@
Feature film project. Two idealistic women fall in love and embark on a mission to save the world from itself by bringing everything to an end.详情