明朝嘉靖(jì(❗)ng )年明朝嘉靖(jì(❗)ng )年间(jiān )，倭(🥨)患(huàn )不止。朝廷(tíng )惊闻(🏝)有民间组织和朝廷官(😨)(guān )员(👧)里(lǐ(🔧) )通倭(🙃)寇(kòu )，渔利(lì(😃) )国家(jiā )，于(🎋)是责令六扇门(mén )负责(🏫)侦查并(bì(🌧)ng )找出官(guān )员(⛅)通倭(🐸)证据(🌰)(jù )。六(👀)扇门小捕快(⬛)陆(lù )小虾(🐏)临危受(shòu )命，同(tóng )时被(🎫)六扇门(mé(📋)n )总捕头于初心派(⛰)人(rén )追杀(🌜)，危难(nán )之际(⛹)被(bèi )“山河(📪)兵团(tuán )”的七爷所救并(💬)带(dà(🔰)i )回兵(🏤)团之中(zhōng )。
沿海(hǎ(🐣)i )小镇，威廉(🤬)(lián )和大角两兄弟率领(🏨)(lǐng )的两(liǎng )大帮派(pài )—(💃)—白(⏬)(bái )边(🥁)，黑边(🙎)长期盘踞于(📻)此。小镇(zhè(🚧)n )青年(nián )不，本(běn )身只是(📅)(shì )一个(gè(🦑) )暗恋邻家女孩汐(⚾)却不(👋)敢表(🌽)白，开着咖(kā(🚲) )啡厅混日(🧤)子(zǐ )的小人物，却因自(🐳)(zì )己的好(🍳)兄弟(dì )三尺介(jiè(🆑) )入帮派斗(⛱)争(zhēng )，在与白(👌)边中神秘(🎱)(mì )冷美人兰、好战的(📿)(de )风、(🏜)狠辣(👩)的(de )大角哥的较量(🕖)中，不的战(🚨)斗热(rè )血和战(zhàn )斗天(📠)赋被强(qiáng )势激起，一发(💘)而不(〰)(bú )可(💼)收。然(😁)而(ér )接下来(🛩)(lái )，汐(xī )的(🕗)暧昧与伤害，帮派斗争(😭)(zhēng )的升(shē(🛹)ng )级，与(yǔ )冷美人(ré(😈)n )兰灵(🗝)(líng )与(🚟)肉的纠葛，兄(👟)弟三尺的(⏱)困境(jìng )，让本(běn )无心江(🥔)湖的(de )不必(🍱)须挥动拳头杀(shā(🤪) )出重重包(🐈)围(wéi )。
When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.
中年(niá(🔰)n )建築師遇(🦍)上(shàng )人生瓶頸，在家被(🆔)(bèi )老(📔)婆嫌(🐨)棄，公司小(xiǎo )開兔(⛴)死狗烹(pē(🕵)ng )。失業的他在曼谷(gǔ )街(⤵)頭驀然回(huí )首，瞥(piē )見(Ⓜ)大象(🌦)Pop Aye，憶(yì(💧) )起歡(🧗)快的童年時(🧗)光(guāng )，毅然(🍀)買下(xià )大象，卻發(fā )現(🥖)都市生活(🤝)容不下他倆，打算(🐴)(suàn )和(🌊)老象(📯)(xiàng )一路向(xià(🍐)ng )北返(fǎn )鄉(🙀)。這趟人與象的公路之(💛)旅，途中狀(🏝)(zhuàng )況不斷，所(suǒ )幸(🔬)萬能的象(👖)鼻領著(zhe )他倆，與沿(yán )路(😌)風景(jǐng )相伴。《爸(bà )媽不(🌐)在家(🔓)》導演(🔛)陳(chén )哲藝監製，阿(🤼)比查(chá )邦(🎧)御用剪接(jiē )操刀，看擅(🔲)長冷幽(yōu )默的才女導(🔶)(dǎo )演(🌯)陳敬(🗼)(jìng )音(🐶)，用象鼻(bí )對(🚻)抗中年危(🅱)機！將(jiāng )泰國鄉下的(de )荒(🦓)涼風(fēng )景(💈)，轉變成一首洋溢(🐪)著淡(🌁)淡霓(🚠)(ní )虹光(guāng )芒(🗾)的自(zì )我(🏌)蛻變(biàn )之歌(gē )。
A suicidal girl is forced to fight for her life when she and her friends are kidnapped and left to be hunted in the woods.
1891年，后印(🍧)象派大师(🧒)保罗(luó )·高(gāo )更(🥠)在巴(bā )黎(😎)的艺术圈(quān )已小有名(🔅)气，但为(wéi )文明社会的(😟)(de )虚伪(♊)与(yǔ(🥢) )矫情感到厌(yàn )烦(✔)。对于原始(🕘)世界(jiè )的渴望驱使(shǐ(🚲) )他离开(kāi )家中妻小，来(😩)到南(⛪)太平(📃)洋的(⏯)大(dà )溪地；(📬)准备(bèi )好(🕵)为追(zhuī )寻已久的自(zì(🛵) )然、野性(🎊)、纯粹的(de )生活与(🛷)创作(💏)(zuò )环(🔮)境牺(xī )牲一(🤗)(yī )切。忍受(🧕)着经济上的贫困(kùn )和(📐)精(jīng )神上(❌)的(de )孤寂，高更(gèng )走(🆔)进丛林深(🏁)处，认识了当(dāng )地的(de )毛(🔂)利人(rén )，邂逅了原(yuán )住(🥕)民女(👕)孩德(🍤)胡拉；一段三角(🐓)关(guān )係也(📜)若(ruò )隐若现地缓(huǎn )缓(💭)浮出。这座远方(fāng )岛屿(🐡)彷佛(💧)是(shì(⤵) )他灵(🦈)魂(hún )的故土(👫)，此(cǐ )处充(🛫)满生命力的人(rén )物面(🥁)貌与地(dì(💅) )景线条(tiáo )都成为(🛏)他的(🆘)(de )缪思(🐜)，激发他创作(🀄)(zuò )出艺术(🚌)生涯(yá )中最具(jù )标志(🐰)性的大师(💣)之作。详情
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