After years Toni aAfter years Toni and Rosa meet again in their old home village in southern Germany. While the village itself has to adapt to the changes of the future, the two women develop an explosive relationship until they reach a point, where both have to make a decision.
Eela is an aspiring playback singer and single mother. She has given up all her dreams to raise her only son. But now her baby son 'Vivan' is all grown up and being a typical young millennial, doesn't want his mother's life to revolve around him. But being an over protective mother, Eela has other ideas and joins her son's college to spend more time with him. Unfortunately her plans backfire and she suffers a backlash from Vivan for invading his privacy. Will Helicopter Eela manage to salvage her relationship with Vivan and find her calling again?
收到媽媽從山(🗄)(shān )上寄(⏬)來的蜜(mì )蘋(🎇)(pín )果(🎳)，小月計算著(🚴)，媽(mā )媽(👽)(mā )已經在外(wài )工(gōng )作許久了(🔎)，媽媽的搖籃(🦋)曲總(⚽)是在耳(ěr )邊(🍒)呼喚著(🐩)。『你媽多久沒回來了？』是(🕸)小月（13歲(suì(🗾) )）與碧艷（15歲）(🖼)兩個(gè(💔) )小女孩彼此(♍)關(guā(👚)n )心的話語。
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
巴(⏩)(bā )勒斯坦電(👒)視台攝製臥(wò )底(😿)(dǐ )肥皂(⛰)劇，連(lián )以色(🔊)列婦(📻)孺都晚晚追(🥛)(zhuī )看(kà(🎁)n )。編劇(🔫)因情(qíng )節背離革命而(é(🔘)r )辭職，監製的(🎚)多口(🏞)侄(zhí )仔(zǎi )助(🏚)理受命(🐙)(mìng )執(zhí )筆，頻頻借女角之口(kǒ(🔼)u )，向電視機前(📎)(qián )的舊愛示好，以(🧡)色列檢(😢)查站軍官則(zé )企(🐖)圖恃權影(yǐ(🖤)ng )響(xiǎng )劇情發(👬)展，以便在追(zhuī )看(👸)(kàn )的嬌(🈹)妻面(miàn )前(qiá(🔙)n )自吹(🎷)自擂。助理即(🌌)使(shǐ )槍抵腦(🐙)殼，都(dōu )不肯接受(📶)軍(jun1 )官(guā(💖)n )要求的大團(🗜)圓結(🤧)局。抗(kàng )爭，必(👨)須(xū )繼(🌂)(jì )續(📻)！影展新秀蘇亞比(bǐ )巧(qiǎ(👠)o )妙調侃以巴(🐝)(bā )關(🥞)係，他的喜(xǐ(🏄) )劇座右(👓)銘是：要能大(dà )笑(xiào )，必須面(🙎)(miàn )對(duì )苦痛(🍝)，並與之周旋。獲(huò(🌛) )威尼斯(💔)地平(píng )線單元最(〰)佳男主角獎(🈯)。
“我的一生(shē(🐉)ng )中只害怕一(yī )件(🛤)(jiàn )事，就(🏂)是有一天，黑(📍)(hēi )色(🐋)(sè )会吞没红(🎨)(hóng )色(sè )。”
In a story told from two different perspectives, Will Bird recounts the events which led to him being in a coma, while his niece Annie recounts her attempt to help to revive him from his coma.
雷切(🌔)尔和男朋友分手(😵)了回到(🛢)家(jiā )中发现(🧜)室友(🥒)(yǒu )把(bǎ )她的(🥝)床卖了(🏖)，于是(⛹)她(tā )们(men )俩只能睡(shuì )在(zà(👝)i )一张床上，在(😢)某个(🎴)不(bú )可描述(🎶)的夜晚(🅿)(wǎn )个夜晚，她两(liǎng )之间发生了(🍬)一些事情(qí(🚊)ng )，蕾切尔动(dòng )了(le )真(🌛)情，而室(🌝)友却觉得(dé )她(tā(⚽) )太黏人，两(liǎ(😐)ng )个人的友谊(🕜)因同床共枕，而发(🔅)生了(le )微(🥫)妙的变化(huà(🏒) )。@橘里(💵)橘气译制组(🆗)
印度(dù )每(mě(🕒)i )年有超过(guò )二(è(🐤)r )万宗针(🕡)对女性的暴(🎓)力罪(🆖)案，平均每(mě(🌵)i )二十二(👦)分钟(📂)(zhōng )就(jiù )有一名女性被强(😿)暴，每(měi )六小(💥)时就(🙍)(jiù )有(yǒu )一名(✅)妇女因(🚒)家庭暴力(lì )丧命。年轻的(de )基层(🥌)女警索妮(nī(🌸) )与上司卡帕纳在(🔼)德里(lǐ(🚕) )一(yī )同接手调(dià(👉)o )查(chá )不同的(✉)女性暴力事(🐦)件(jiàn )，在办案过程(🐖)(chéng )中往(🍏)往遭受到了(🔀)重大(📋)阻力，无日无(🛌)(wú )之的罪案(♋)令(lìng )她(tā )脾气暴(🐀)躁，做事(🍜)方式(shì )偏(piā(➿)n )离常(🥝)规，被(bèi )裁定(💍)在执勤(💼)中行为不当，而私人生(shēng )活也(🚀)影响到(dào )了(🎴)(le )她的(🚒)职业表现，与(🍱)丈(zhàng )夫(🌩)(fū )已经彼此(cǐ )疏(shū )离，却要被(🏑)迫面对他(tā(🚸) )突然的到访。印度(🍬)电影少(🔵)见(jiàn )的写实题材(👈)，以一场(chǎng )一(😥)(yī )镜营造出(👡)(chū )真(zhēn )实迫力，将(❄)社会低(🛸)下(xià )层(céng )女(🖐)性受(🍯)到压(yā )迫的(⚪)问题表露无(😘)遗。详情
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