阿呆(dāi )和阿瓜(🚃)是阿呆(dāi )和阿瓜(🚃)是一(🎀)对非(fēi )常要好的朋友,他(🌐)(tā )们(🐾)(men )觉得凭借自己(jǐ )的力(lì(👈) )量可(🤘)以(🛃)修理一(yī )切(qiē ),有麻烦发生(🧜)(shē(🖖)ng )时,只(💧)要开动脑筋(jīn ),利用手(🔤)边(🤶)的工(😼)具都(dōu )可以搞定。人们(🎋)(men )总(🐞)会被(⛎)他们的“错(cuò )误”行为逗(🧥)笑(🐞),觉得(⛔)(dé )他们有点笨,大(dà )部分(🤩)时间(🐃)会把(bǎ )事情(qíng )搞的更糟(🌈),但(dà(🍠)n )是(shì )呆瓜兄弟总能自己(✊)(jǐ )做(🦄)的事情中找到(dào )“自己的(🈺)路”,并(🤲)(bìng )对自己努力之后(hòu )的(🆘)结果(🔝)感到满意。因(yīn )为他们坚(🔲)信一(🌳)(yī(🖕) )句话(huà )“伟大的创造(zào )在(zà(🤣)i )最(🧡)开始(🍭)的时候(hòu )也不(bú )是完(🕒)美(👹)的,关(🖥)(guān )键(jiàn )的是开始的勇(🥟)气(🌂)”。
阿呆(📩)和阿瓜是(shì )一对非常(🦊)要(🛤)好的(🏼)朋(péng )友,他们觉得凭(píng )借(🈷)自(zì(🔂) )己的力量可以(yǐ )修(xiū )理(📁)一切(🔖),有麻(má )烦发(fā )生时,只要(🎏)开(kā(🚜)i )动(dòng )脑筋,利用手边的(de )工(🍫)具都(❗)可以搞定(dìng )。人们总会被(🚯)他们(⛩)(men )的“错误”行为(wéi )逗笑,觉得(✍)他们(🏐)有(✝)(yǒu )点(diǎn )笨,大部分时(shí )间会(🦔)(huì(🥣) )把事(🚹)情搞的更(gèng )糟(zāo ),但是(💠)呆(🤽)瓜兄(👴)(xiōng )弟总(zǒng )能自己做的(🔅)事(🍀)(shì )情(💴)(qíng )中找到“自己的路(lù(👊) )”,并(🎲)对自(😎)己努(nǔ )力之后的结果感(👷)到(dà(🍂)o )满意。因为他们(men )坚信(xìn )一(🙋)句话(👩)“伟大(dà )的(de )创造在最开始(🐏)(shǐ )的(🐃)时(shí )候也不是完美(měi )的(😃)(de ),关键(🚨)的是开始的(de )勇气”。
Risking their life, they climb on narrow mountain paths every day, carrying 40 kg of goods on their back. Every mistaken step may chance upon a landmine. They are hunted like wild animals. And in the name of what? To earn just 10 dollars a day!?
巴勒斯(🍜)(sī )坦(👖)電(🏫)視台攝製臥底(dǐ )肥皂劇,連(🏄)以(🔚)色(sè )列婦孺都晚晚追看(kà(🥖)n )。編(🆔)劇因(🖕)情節背(bèi )離革(gé )命而(🍥)辭(🏰)職,監(🍯)(jiān )製(zhì )的多口侄仔助(🏕)(zhù(🐺) )理受(🐶)(shòu )命執筆,頻頻(pín )借(jiè )女(🌛)角之(👈)口,向電視(shì )機前的舊愛(🎷)示好(🦌)(hǎo ),以色列檢查站軍(jun1 )官則(💡)企圖(🎲)恃權影(yǐng )響劇(jù )情發展(😲),以便(✏)(biàn )在(zài )追看的嬌妻面(mià(🤪)n )前自(🐃)(zì )吹自擂。助理(lǐ )即(jí )使(🐅)槍抵(🏕)腦(🍄)殼,都不(bú )肯接受軍官要求(🏤)(qiú(📑) )的大團圓結局。抗(kàng )爭,必須(🌑)繼(😌)續!影(❎)展新秀蘇亞比巧(qiǎo )妙(🦃)調(🏾)侃以(🐉)巴關係(xì ),他(tā )的喜劇(⏲)座(🐯)右銘(💌)(míng )是(shì ):要能大笑,必須(🧙)(xū )面(🌓)對苦痛,並(bìng )與(yǔ )之周旋(🕷)。獲威(🛐)尼斯(sī )地平線單元最佳(🐾)(jiā )男(🥈)主角獎。
An elegant dinner, which takes place in real time, brings together a group of intellectuals in the early 90s in São Paulo, Brazil: the hosts are the editor of the country's top news magazine and her husband, the company's lawyer,...
Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.详情