摄影师王树(shù(🙌) )因摄影师王树(shù(🙌) )因一(yī )次“死亡拍(🚸)摄”获奖(jiǎng )并一(yī(🍈) )举成名,于此同(tó(😃)ng )时他也断(duàn )送了(💋)自己的摄影(yǐng )生(📜)涯。在(🕗)(zài )舆论的审(🌗)判下(🎲),没有一家(jiā )摄影(🌹)公司愿意接(jiē )纳(🔸)他,王(wáng )树不得不(🐏)转行维(wéi )持生计(🏝),不想却变成了网(🚆)(wǎng )络爆红的(de )“审判(🏣)者”,并(bìng )陷入了一(👆)(yī )宗(🐐)扑朔迷离的(🥌)死(sǐ(🌳) )亡绑架事(shì(🍢) )件,踏(👦)上了“心(xīn )灵审判(❤)”的漫(màn )漫长路......
1995年(📡),Jonas是个躲在(zài )柜中(😛)(zhōng )的14岁男孩,他对(🥞)(duì )英俊(jun4 )潇洒(sǎ )的(👧)同学Nathan一见钟情(qí(🍘)ng ),尤其对(duì )Nathan桀骜不(🥩)驯的(📶)一面(miàn )又爱(🚍)又怕(🛃)(pà )。18年后,三十而(é(😣)r )立的Jonas已是(shì )风流(🎵)倜傥的熟男(nán ),却(🍹)仍在(zài )寻找人生(🚂)平衡点(diǎn ),因为挥(👵)(huī )之不去的回忆(😔)阴(yīn )影,他回(huí )到(📈)睽违(➖)已久的家(jiā(🍀) )乡,试(🐵)图(tú )在每个(🌐)记忆(🔜)角落(luò ),寻找早(zǎ(🌬)o )已失(shī )去的线索(💠)、14岁的自己(jǐ ),以(🚟)(yǐ )及他曾经爱过(🚔)的那个(gè )男孩(há(📣)i )…
麦子的丈夫马(🎻)(mǎ )豆根(gēn )在煤(mé(🥙)i )矿事(📌)故中受了伤(😪)(shāng ),完(🚛)全瘫(tān )痪不能治(👫)愈,由(yóu )此引发出(🕡)(chū )麦子跟马豆根(💍)和(hé )矿主老于(yú(🈁) )之间充满悬疑色(🧞)(sè )彩的一场(chǎng )人(🎋)性较量,麦子(zǐ )用(📠)她的(❔)坚(jiān )贞和执(🍍)着发(💻)现了(le )美丽谎(🍸)言(yá(🌞)n )背后的真相,她(tā(🐝) )对未来的(de )生活也(🚘)不知会做(zuò )出怎(💞)样的(de )选择(zé )。
2018年AcFun春(👟)节联(lián )欢晚会,由(🔽)AcFun主(zhǔ )办,由A站UP主等(🈸)创作,以共(gòng )贺2018年(🧖)春节(🥖)到来。
不管(guǎ(🐯)n )这导(🕳)(dǎo )演嗑了什么很(🗞)纯(chún )的,全部(bù )都(🥘)要给你来一点(diǎ(🌮)n )!在澳洲(zhōu )这座曾(🥔)经被称作(zuò )「无(🕋)主之(zhī )地」(Terra Nullius)(🐨)的大陆(lù ),历史以(🤵)(yǐ )前(🏛)所未见的观(🔲)点(diǎ(🧚)n )重新诠释(shì(🤨) ):当(🔋)《疯狂麦斯(sī )》末日(🎫)场(chǎng )景成为难民(💭)拘留(liú )地,食人(ré(🚝)n )羊成为反殖民叛(🥝)(pàn )乱份子,《沙(shā )漠(🙍)妖姬》与(yǔ )电视剧(🍋)《请喜(xǐ )欢我》有了(🔴)跨时(😑)空的(de )酷儿(é(⛪)r )对话(🦅)……本片以近似(🥢)(sì )DJ取样(yàng )混音之(🗳)拼贴手法(fǎ ),打(dǎ(💿) )开了(le )虚构与史实(🎓)间的(de )神秘黑洞(dò(👩)ng ),大量援引电影(yǐ(😾)ng )名场景与(yǔ )历史(😢)典故,穿越(yuè )时空(😬)与各(🏴)(gè )种语境,重(🗼)写、(🌬)改写、乱(luàn )写,全(📕)面毁坏观(guān )众的(🔈)三观(guān )!这是一部(🕜)政治(zhì )复仇预言(🔫)(yán ),杂揉讽刺喜剧(🕯)(jù )、生态恐(kǒng )怖(🍜)与(yǔ )公路电影类(⚫)(lèi )型(⛄),写下(xià )澳洲(🚶)(zhōu )国(🔅)族神话从未被纪(🚼)录(lù )的史(shǐ )诗篇(🗑)章。
The Focusing Effect is a faux-documentary/horror film about three film students who make a doc about breakups, only to push one of their subjects too far.
Set in the early 80s, K. G. F. - the first chapter centers the protagonist who leads a battle against oppressors in ysgou.cc Kolar Gold Fields.
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.详情